Learn about St. Malo, Ilocano Foods, and the Art Nelson Left Behind in 2026!

Art Nelson Left Behind

The spark for this exhibition began with an unexpected encounter. After a Filipino cultural event in May 2025, I was approached by Maria Lourdes Pérez Muñiz, a Puerto Rican woman carrying a small bundle of artwork once belonging to her late neighbor, Nelson Baldemor—a Filipino American who passed away suddenly in Virginia in 2021. With no next of kin to claim his belongings, Maria salvaged a few pieces, hoping they would one day find meaning beyond loss.

Months later, as I began organizing, framing, and photographing the works, I shared my progress with her. Her reply—“Today is Nelson’s birthday”—transformed the project from a simple act of preservation into something deeper. This exhibition now serves as an homage to Nelson’s life and legacy, and a reflection on the ways art endures as a vessel for memory, identity, and connection. It invites us to consider how stories continue to unfold long after their subjects have passed—and how, through art, we remain linked across cultures, generations, and time.

~ Chiara Cox ~

Autobiography by Dr. Anita BaldemorFilipino, born in Sta. Ana, Manila, Philippines, b. 1921-?document8.5" x 11"
Letter by Robert Dempsey DeHartAmerican, Danville, Virginia, 1919-1992document8.5" x 11"
By preserving his mother’s autobiography and a letter from a photographer, Nelson honored the stories and memories they carried, reflecting the care and value he placed on these intimate connections.

Nelson Baldemor of Danville, Virginia, was a Filipino American whose life was tragically cut short in a hit-and-run accident in 2021. While few public details about his personal or professional life are known, his legacy endures through the belongings he left behind, collected by his neighbor, Maria Lourdes Pérez Muñiz. These items he treasured include a mother’s autobiography, letters, early 20th-century photographs of the Philippines by a news photographer, and works by his cousin, the renowned Filipino artist Manuel Baldemor.

Nelson carefully maintained these pieces as symbols of family pride and as tangible connections to the Philippines, his country of origin. Together, they offer a deeply personal narrative that extends into the broader Filipino diasporic experience. Through these intimate traces of one life, the exhibition explores memory, heritage, and the enduring power of art to convey stories beyond absence. Visitors are invited to reflect on what endures, what is remembered, and how personal and cultural histories intersect through the objects we leave behind.

The Pillars of Filipino Identity

The collection is categorized by "Reminders of family and the Philippines," capturing the sensory and spiritual life of the diaspora. Key themes include:

• Spiritual Life: Representations of church and mass.

• Community and Labor: Scenes of markets, harvest, and the iconic jeepney.

• Cultural Rituals: Traditional dances, food, and tropical fruits.

• Artistic Legacy: Works by Manuel Baldemor, Nelson’s cousin and a renowned Filipino artist, which anchor the collection in established fine art traditions.

To view the exhibit, please click here:

Photos by Dempsey DeHart

Works by Manuel Baldemor

Resources

The_Art_Nelson_Left_Behind (1).mp4

Historical and Sociological Significance

The collection provides rare primary source material for the study of 20th-century Filipino-American life:

• The DeHart Archive: Includes 8" x 10" black-and-white photographs of the Philippines from the early 1900s and personal correspondence from photographer Robert Dempsey DeHart.

• Biographical Records: An 8.5" x 11" autobiography by Dr. Anita Baldemor (b. 1921), offering a firsthand account of a Filipino professional's life in the United States.

• Artistic Merit: Original works by Manuel Baldemor, providing a connection to significant contemporary Philippine art.

Provenance and Preservation

The collection's provenance is fully documented, originating from the home of Nelson Baldemor in Danville, Virginia, and preserved by Maria Lourdes Pérez Muñiz. This transition from "left behind" items to a curated exhibit explores themes of absence, heritage, and what endures through the objects we treasure.

Technical Specifications

• Primary Documents: Autobiography (8.5" x 11"), Correspondence (8.5" x 11").

• Photographic Media: 8" x 10" silver gelatin or news-print style photographs.

• Curatorial History: Proven public interest with a roadmap of exhibits through 2026.